A Play without Props is a Day without . . .

My husband says he thinks the real reason I write musicals is so that I have an excuse to make props.

Every one of the 15 or so musicals I have written has used lots of props -- until this Easter show. As I was re-reading it, I realized, I have no props mentioned in the script! Not that I'm looking to include them. Despite what my husband says, I don't feel compelled to make props for every show . . . it just usually happens that they need them.

As I sit in my living room, I can see three of our old props hanging out as knick-knacks. There's the fake videocamera I made for Flight 714 to Wimbleyvale on a shelf with musical scores, and the Pictish cross for The Saga of Saewyn on our mantlepiece, and finally, the 10-inch star made out of York peppermint patty wrappers. That prop is from our first show in 1999, and we bring it out every Christmas. (Somehow it didn't make it back into the box yet.)

But this Easter show will have none of that. No fake portrait of an explorer with a hamster on his shoulder, no statue of Thor, no giant 'take a number' device, no ancient stone stela, no intergalactic beacon . . .

Just a 5-foot diameter 'stone' for the angels to roll away.

Comments fixed

I found out from my son that comments were open to only certain accounts. So, I have changed that. If you're not a gmail person, or any of the other things they list, you can click on "anonymous". But you can also sign your post with a name, or pseudonym!

Welcome!

I've been posting sotto voce, so to speak, while I was getting used to doing this. But as of today, I've launched this blog on the internet ether, or to put it in theatre terms, rehearsal's over and the curtain is up.

One of the neatest things God has done in my life is to bring me into a ministry in which I can write and see my writing take shape on the stage, and in which I can work with teens, tweens, kids and adults. I love writing, but I also love the process of putting on a show. Writing a show and seeing it through to completion can be exciting, frustrating, enlightening, aggravating, exhausting, and joyful. I hope to share some of that with you.

How Delays Can Be Part of God's Plan

I usually have my shows written before we have our first rehearsal/ orientation. I may after auditions make some changes - add a character or two here, change the gender there, trim that part - and that's a great benefit of writing the shows I direct. I know I can always change it to suit the cast.

However, for this show, things kept coming up that slowed me down. Another commission, the printer problem, just the busyness of life driving three teen/tween homeschoolers to their not-at-home classes . . . But it was okay that I wasn't totally done, because it's a younger cast and mostly newbies, so I felt they needed time, and I needed to get to know them. Well, tonight, at the end of my second rehearsal, less than 5 minutes after I told the cast I would give them their parts next week, I got two new members of the cast. Yes, I could have said No. But I said Yes. We ran them through quick mini-audition and will see them next week.

The biggest reason I could say Yes was because frankly it's not totally done yet. I was already thinking of how to give a few lines to these two cute 2nd grade girls who are loud and can act, and one can sing as well. Since the show wasn't cemented in my head, I can still add a few small parts.

If the show had been really set in my mind, or if this had been any other bigger show, I would have had to say No, but because of the delays, God enabled me to say Yes, and two more kids get to participate in theatre ministry.

The theme of my last show was, "God causes all things to work together for good for those that love Him," and here it is in practice.

Experience is a great teacher

I sang back-up vocals during worship at church on Sunday, and found myself thinking through some of the advice I've given over the years to kids in my shows. Stand up straight to give your lungs room. Smile, to brighten the tone. Use your abdominal muscles to push that air out for long notes. Oh, and listen to the music and yourself to make sure you sound good. Of course, I warmed up first, both vocal chords and mouth.

All that, and remembering the words, the repeats and loops, the dynamics. It's good as a director to have experiences actually doing what I tell my actors to do. That way, I know if my advice works. Plus, I have more empathy for them!

Close to becoming a Luddite!

Wireless printing sounds so simple. I pictured Maggie working on my laptop in her room, and Aaron working on his laptop in his room or up in the living room, and they can both send their documents to the beautiful new Photosmart printer downstairs. Ha. I've set up lots of technology in the house, including other printers and wireless. They were all relatively simple. This was supposed to be simple. "Push the WPS button on your router and push this button on your Photosmart printer," the directions say. But no. Instead, I have spent hours troubleshooting, researching unhelpful Q&A sites on the web, inputting various codes. I did find out how to access my router - big problem there was the Norton firewall, as opposed to the IE firewall, and now the router recognizes the printer but that's still not enough. What happened to technology making life easier?

And that's what I was doing yesterday instead of writing.

What's the show about?

This is the first time I'm producing a show specifically about the Resurrection of Jesus. It's exciting in that this is the most important event in all of human history, but, well, that makes it pretty daunting as well. How do you write a 20-minute show (my shortest show ever) to be played by a cast of elementary kids that is both interesting to watch and honoring to the Lord?

We shall see . . . as this is still in process.